ABOUT THIS SITE >>> This site is a blog as well as an archive. It gives visibility to the continues working of radical_hope, its current move to radical_house, the research project Distraction As Discipline (2016 - 2019) and the process of OTÇOE - works for passers-by, a working trajectory (2013 and 2014).
radical_house is a long term project and has a threefold nature: it presents a physical place, a framework and a logic. When in 2013 teaching and mentoring became an extension of Langsdorf's artistic practices now radical_house stems from her pedagogical experience where 'being in dialogue' with others is her main principle.
Distraction As Discipline is
an investigation into enactivist principles in art and education
(research trajectory at KASK School
of Arts Ghent 2016-19). It considers the potential of performance art and
pedagogy in general, in resisting the current and massive
desubjectivation, by critically reclaiming both, attention for the moment and participation in a process.
OTÇOE - works for passers-by was the development of radical_hope's artistic practice in the city and questioned how and by whom this practice (and its bodily, social and economical aspects) is perceived. The title refers to the public of a city and to how we encounter and register most things on our way through the city: Out of The Corner of Our Eyes. OTÇOE.
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SEASONAL REFLECTIONS
NEWSLETTERS
TIMELINE
MAIN PRACTICES
CONVERSATIONS
radical_house
19-12-2021 [• transition • in practice • Making Space/S • HoP • radical_house ]
(*/**) Roberto Esposito, Communitas - the origin and destiny of community, 1998
radical_house's relatives
2020
radical_house
(2020 onwards)
radical_house is a long term project that stems from radical_hope's practices: it presents a physical place, a framework and a logic. When in 2013 teaching and mentoring became an extension of my, Heike Langsdorf's, artistic practices, radical_house now stems from her pedagogical experience where 'being in dialogue' with others is her main principle ...
° How to make art worthy of its time?
As an artist, teacher, researcher and mentor, I am in contact with many younger and older people, who try to find out this question through 'action and reflection'. I want to contribute to this by making a move from my existing work ethics, radical_hope, to a new framework, radical_house.
As an artist, teacher, researcher and mentor, I am in contact with many younger and older people, who try to find out this question through 'action and reflection'. I want to contribute to this by making a move from my existing work ethics, radical_hope, to a new framework, radical_house.
° How can 'just another' house become a relational tool?
What
if one frees 'the house' of its usual connotations presenting "neither a
property nor territory to be separated and defended against who does
not belong there"? (*) It then could be considered "a void, a debt, a gift to
the other that also reminds us of our constitutive alterity with respect
to ourselves". (**)
(*/**) Roberto Esposito, Communitas - the origin and destiny of community, 1998
For me personally, the transformation (2016-19) of a Brussels family house, with architect Tania Gijsenberg, into a place for 'more than family' is a new
reality, with three work paths that are temporally and spatially entangeled. Here just a short overview:
Luikenaarsstraat 2
is the address of the house -- its physical appearance -- where people can
live, work and present together. 'Just another house' (in 'just another
neigborhood'). After its transformation this house now can host more than their
two permanent inhabitants: by opening and reducing the staircase to half
its former width, a dark cellar (previously packed with unused stuff)
became an atelier and the groundfloor became a studio with guestroom. A
big window gives view to the streets, vice versa big parts of the
working spaces can be seen from outside. The second floor is now an open
co-working space with kitchen. Dismantling some little unused
inbetween chambers on the same floor made two outside spaces possible: a
little courtyard and a terrasse. Under the roof are two rooms for the
permanent inhabitants to withdraw into.
House of Practices is exploring permeability: how to make space in existing places? In dialogue, through their practices and those of guests, Simone Basani, Hans Bryssinck, Heike Langsdorf and Miriam Rohde, want to come closer to what the transformative power of a physical place can be: What does a place with its specific history, former and current inhabitants/users allow for? What makes it relational and permeable and for whom? How do our practices create closeness and distance to one another? What of it contributes to the making of community, and what to avoiding or even destroying it?
(For the year 2020/21 House of Practices received a research grant by the Flemish Authorities.)
Main/Tenance
(Latin: manu tenere: control): a form of organization — a system of
rotating responsibilities that turns something into an 'organ'. In
order to be present in practice with/for others in a satisfactory way,
it must be possible to hold something together at different levels:
receiving, creating, producing, presenting, curating, etc. As SPIN vzw
and radical_hope recently started developing ways for working together
in the future there is a concrete motivation
to explore on an organizatorial level what already happened in the
frame of radical_hope's co-creative processes: by wanting and being able
to
rotate responsibilities and practices, a core of people can ensure that
also a larger group of people can sense things, recognize them and
then 'function' together.
partners / supporters / collaborators / in dialogue with:
Miriam Rohde, Simone Basani, Hans Bryssinck, SPIN (CO-DISCO), Merel Vercoutere & Stine Sampers/KAAP, nadine, Elke Van
Campenhout, The Monastery, ZSenne art lab, Agnes Quackels/Kaaitheater,
Ann Van De Vyvere/Demos, Alice Ciresola, Ronny Heiremans & Katleen Vermeir/Jubilée, Lilia Mestré/apass, Fransien van der Putt, David Weber Krebs, SQUEEZE (Anne-Beth Schuurmans, Marie-Rose Mayele), ...
previous users / temporary residents:
Bilal Kamilla Arnout, Alex Arteaga, Simone Basani, José Jesus, Julien Bruneau, Isabel Burr Raty, Caveat / Jubilee, Co-Disco, Hans Bryssinck, Wouter De Raeve & Paula
Almiron, Laura Deschepper, Klaas Devos, Roger Fähndrich, Conrad
Bongard Hamilton, Céline Laloire, Heike Langsdorf, Irene Lehmann, Anouk Llaurens, Ernst
Maréchal, N.C., radical_hope, Miriam Rohde, Merel Severs, Stijn Smeets, SPIN, The Futurology
of Cooperation (Anna Czapski & Diederik Peeters a.o.), NOON project
(October 2020 with Judith Dhont, Senne Vanderschelden, Delphine Mertens, Janka
De Waele, Jietske Vermoortele, Lena Mariën, Iris Donders and Tuur
Geldhof), PAWS
(Iris Donders, Marius Lefever, Senne Vanderschelden, Judith
Dhondt), Laura Oriol, Berno Odo Polzer & son, Out of Order Contemplations, Julien Vaissier, Fransien van der Putt, Nikolas Van
Laere, Bastian Eduardo Oviedo Vivanco, Elke Van Campenhout, Clémentine Vaultier,...
permanent residents: Heike Langsdorf & daughter
cleaning together with: Adil Mabchour
AGENDA
2020
PAWS (10/8 - 17/8)
NOON project (5/10 - 23/10)
BKFF online workshop 1 (DEC 13 - 20)
To Do or Not To Do -- online brunches & open fires (DEC 19, 20, 21)HoP
N.C. (20/7 - 27/7 2020)
Bilal Kamilla Arnout (4/8 - 9/8)
CO-Disco days (October - December)
2021
Céline Laloire (weekly between January - March)
BKFF online workshop 2 (March 14 - 19)
Fransien van der Putt & José Jesus (April 8 - 18)
BKFF online workshop 2 (March 14 - 19)
Fransien van der Putt & José Jesus (April 8 - 18)
Irene Lehmann (Oct 1-10)
Out of Order Contemplations (Nov)
HoP
The big leap / (Feb - April) (H. Langsdorf & S. Smeets)
Ceci / M. Gottschal, M. Rohde, S. ten Westenend (May)
CO-Disco Days (April 3, June 5, July 10)
Caveat Reading Room #15 / Clémentine Vaultier (July 26)
Clémentine Vaultier & Students (La Chambre) (Oct 25)