Practicing Futures through Voicing

18-09-2019 [• DAD - education • CASC at KASK • in practice ]

The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are

made (im)possible by the practices we enact and encounter?

Practicing Futures through Voicing, the second book in this series, connects with the first book’s concern with how practices destabilize and (re)constitute the concept of conditioning. It does so by questioning how to process life in a way that allows us to create volume, take space, and find our (tone of) voice—first in our immediate surroundings and, through this, in the world as it struggles and moves toward ongoing futures.

^{Practicing Futures through Voicing}

^{Tawny Andersen and Heike Langsdorf (eds.)}

^{ISBN 9789490800840}

^{www.artpapereditions.org}

^{First edition of 500 copies}

^{Series concept}

^{Alex Arteaga Heike Langsdorf}

^Contributors

^{Gaia Carbillo, Boyzie Cekwana, Lauren Grusenmeuer & School of Love,}^{Sébastien Hendrickx, Heike Langsdorf, Bauke Lievens, Barbara Raes}

^{Copy Editor}

^{Tawny Andersen}

^{Graphic design}

^6'56''

^Printing

^{Graphius Group, Ghent}

^{International distribution ideabooks.nl}

^{Distribution UK www.antennebooks.com}

^{Distribution BE exhibitionsinternational.org}

^{Choreography as Conditioning is produced in the context of the research project Distraction as Discipline—an investigation into the function of attention and participation in performance art and art pedagogy conducted by Heike Langsdorf and Anna Luyten at KASK / School of Arts of University College Ghent. The research}

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Practicing Futures through Voicing