ABOUT THIS SITE >>> This site is a blog as well as an archive: It gives visibility to the continues working of radical_hope & radical_house and holds documentation of the research projects Distraction As Discipline and OTΗOE - works for passers-by.

radical_hope (since 2010) creates and holds frameworks for artistic research/es & co-creation/s.

radical_house (since 2020), next to being a long term project on notions of ownership, privacy and privilege, provides a physical place in Brussels: here people can tempralrily cohabit with the permanent users of the house in order to work, rest or find shelter.

Distraction As Discipline (2015 - 2019) is an investigation into enactivist principles in art and education (research trajectory at KASK School of Arts Ghent 2016-19). It considers the potential of performance art and pedagogy in general, in resisting the current and massive desubjectivation, by critically reclaiming both, attention for the moment and participation in a process.

OTΗOE - works for passers-by (2012 - 2014) was the development of radical_hope's artistic practice in the city and questioned how and by whom this practice (and its bodily, social and economical aspects) is perceived. The title refers to the public of a city and to how we encounter and register most things on our way through the city: Out of The Corner of Our Eyes. OTΗOE.

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SEASONAL REFLECTIONS

NEWSLETTERS

TIMELINE

MAIN PRACTICES

bodily
SITTING WITH THE BODY 2013 ...
social
BUREAU ANNEX
economical
SHOP SHOP
educational
DISTRACTION AS DISCIPLINE 2016-19
relational
radical_house 2020 ...

CO-CONSTRUCTED CONVERSATIONS

AllReadyDaDa'S

18-07-2017 [• DAD - education • Hands On / AllReadyDada ]







>>> 29 July 17, 21h @ Klein Verhaal Ostend / 2m3 for TAZ

AllReadyDaDa's are very little concerts.

Played is everything found and collected during the day.

Whatever comes together will make sense as much as it can ...

Performance is low but arrangement up high: 

All Ready to be made and up for a li'l DaDance.

* made and performaned by heike langsdorf ** thanks to david helbich, pianofabriek brussels *** in the context of DAD / research at KASK school of arts